Chapters
fifteen (Knitting) and sixteen (Still Knitting) from A Tale of Two
Cities, portray Madame Defarge and the underground rebellion she leads. For
this blog post, I’d like to discuss the symbolism of Madame Defarge’s knitting. Madame Defarge has been seen knitting at different times in the story, often in the
background at important events. For example, when the Marquis St. Evremonde’s
carriage ran over Gaspard’s son,“… the
wretched father was groveling on his face on the pavement in that spot, and the
figure stood beside him was the figure of a dark stout woman, knitting”
(Dickens 117). This passage illustrates Madame Defarge at the scene of the
“Monsieur the Marquis in Town”. She is the figure in the background knitting. At
that point in the book, little is known about Madame Defarge except for the
fact that she is the wine keeper’s wife. Now (chapter twenty-two; book two), we
know much more of who Madame Defarge is.
We were
able to conclude that Madame Defarge has a robust position in this ‘underground uprising’ on page 183 when she tells
her husband, in response to the news that a new spy is in St. Antoine, “’It is
necessary to register him … ‘Barsad,’
said Defarge” (Dickens). When John
Barsad (Aristocrat Spy), enters the wine shop, and begins a conversation with
Madame Defarge, ironically, she is adding his name to the hit list. Even as
Madame Defarge knits Barsad’s fate, she is still able to outsmart everybody
with her knitting.
Up to
this point in the book, Madame
Defarge has been a character of mystery, embedded and set upon the goal of a
French revolution. Her knitting not only represents a physical register of
oppressors, but I also believe it is a symbol of stealth and the underground
uprising. It’s a symbol of stealth because she is
able to organize a hit list, while under the constant supervision of the aristocrats. Her knitting is also a symbol of the
uprising because it’s both a peasant’s hobby as well as a symbol of
organization. An issue I face with Madame Defarge is her motivation for her harsh
ideas. The background context implies very little about her rationale for the
position she holds in the movement. I thought that for a person to hold a
burden of the risk of being in the uprising, they must have a strong reason.
Yet the mystery is still continuing, and we continue to learn more and more
about these characters.
It is interesting to think that the whole time she was recording these names and faces we had no idea what she was doing. We could take hints as to what she was doing, whenever someone did something mean to a civilian Dickens would reference her knitting, or one of the other women knitting. I found this a very interesting way to show how stealthy the revolutionaries were, even an important part of Tale of Two Cities was hidden from the reader, even though it was written right in front of our eyes.
ReplyDeleteNice post, Matt. I especially like the question you pose at the end about how Madame D. got involved in her role in the first place.
ReplyDeleteHere's a suggestion: when you write, "Her knitting is also a symbol of the uprising because it’s both a peasant’s hobby as well as a symbol of organization" you can push this idea even further. What is it about the act of knitting that seems so organized?
I want ti know what carton had on Barsad! What a dantastic visual the ending is!
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